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“Well now Howard Eliot I carnt see nothin’ in that to larf at. It is grand readin’. Do read another,” said Mrs. Wopp. He went home after the engagement, walking on air and talking aloud to himself. “Gee! I don’t suppose there’s a squinch-eyed ghost of a chance for me to win that prize money; but twenty-five a month’ll pay mamma for what I eat,—and break, I guess.” The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat..

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Up, up Billy climbed. On the bare spaces, or balanced on the point of some slender rock, he stopped frequently to look down on the beautiful valley below; on little farms laid out checker-board fashion, dark green squares for orchards, lighter green for vineyards, with tree-lined lanes running between. Overhead fleecy clouds chased one another like freshly washed, woolly sheep across the blue pasture of the heavens. In the north the great blue mountain loomed, all its opalescent tints and shadows hidden till the setting of the sun should light them forth. “You and Edith are fairies,” he said when his mother came again to the room, “to rustle such pretty togs for the new sister in a night.” His mother was piling his plate again with griddle cakes. “He’s jist the plainest gorl-darndest dorg in the worl’, but me an’ Betty thinks heaps of him, an’ Job’s lorst one eye but he’s a dandy live feather duster orl right.” Gestures and grins illuminated this earnest speech. Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails..